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The 100 Francs Luc Olivier Merson banknote, dated June 10, 1937, is one of the most emblematic banknotes of the Banque de France during the Third Republic. Issued in a period marked by the economic tensions of the interwar period, it is part of a long series initiated in 1906 and regularly modified until the 1930s.
With dimensions of 182 × 112 mm, this paper banknote stands out for its remarkable artistic richness, characteristic of French issues of the time. It owes its name to its designer, Luc Olivier Merson, a famous academic artist, whose allegorical style deeply permeates the composition.
On the obverse, the scene highlights allegorical figures of Agriculture and Commerce, accompanied by two children, in a setting abundantly decorated with plant motifs and fruits. The whole evokes prosperity and economic balance, values that the Banque de France wished to symbolize. The official inscriptions, including "Banque de France" and "Cent francs payables en espèces, à vue, au porteur", recall the fiduciary function of the banknote.
The reverse presents an equally symbolic composition, illustrating Labor, represented by a blacksmith, and Fortune, embodied by a female figure holding a cornucopia. This iconography highlights the wealth produced by human effort and its reward. As on many banknotes of this period, a legal text warns of the penalties associated with counterfeiting.
Technically, the banknote incorporates a watermark representing the heads of Ceres and Mercury, reinforcing its security. It was demonetized on June 4, 1945, shortly after the Second World War, marking the end of its circulation.
The 1937 dated banknote corresponds to the last issues of this type, with in particular the signatures of Pierre Strohl and Félix Boyer. Although it is considered relatively common due to large print runs, it remains very popular with collectors, especially in high grades of preservation.
Today, its value varies greatly depending on its condition: modest in circulated quality, it can become much more sought after in superior condition. Beyond its rating, this banknote remains above all a major artistic and historical testimony of French fiduciary currency of the early 20th century.